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THE OFFICIAL DIRECTORY OF CONTEMPORARY ARTISTS
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Hartung

Hans Hartung, French painter of German ancestry, was born on September 21, 1904 in Leipzig. He died on September 7 December 1989 in Antibes, France. He is one of the main European representatives of a totally abstract style of painting. His groupings of black lines on colored backgrounds , meticulously made and almost calligraphic, made him famous.

 

Beginnings as an artist

Hans Hartung, member of the School of Paris and painter of lyrical abstraction, is more than an artist of 'post-war. In reality, he started his profession before the Second World War. The born painter in Germany is, from a very young age, attracted to by expressionism of abstract art. He has established his own dynamic artistic language throughout his career. at the age of 18, as evidenced by a series of 60 expressive watercolors.

Hartung followed a traditional art education in the art institutions of Leipzig and Dresden, although he began his studies in art. creating abstractions of ink stains since his childhood. Wassily Kandinsky, a Russian painter who also eschewed physical painting, was one of his early influences.

He then created a second series of abstract compositions in charcoal and watercolor. black chalk. Both series are abstract and unstructured. His drawings The use of ink during his school years and these two series had a profound impact on his entire life as an artist. For a truly abstract result, his method was based on a wide range of techniques. both spontaneous and disciplined

 

French influences

Hans Hartung met French painting at the Dresden International Art Exhibition in 1926, and this event changed his life. He was passionate about for French creative trends such as Impressionism, Fauvism and Cubism after seeing one paintings by Matisse with brilliant colors and clear lines.

He studies art at home. Leipzig, Dresden and Munich. In May 1931 he was exhibition for the first time at Dresden, in the Heinrich Kühl gallery, among paintings of figurative landscapes and abstract works. This exhibition was not a great success. Then his works were published. exposed to the Jeanne Bucher Gallery. He spent the next three years at work. Menorca, sick and broke. He returned to Germany, but as he hated Nazism, he settled in Germany. Paris in 1935 and became a French citizen in 1946.

He met notable artists of the time, including Mondrian, Miró, Hélion, Goetz and Calder. The sculptor Julio González became his friend in the late 1930s, and Hartung created the work. with him a work of abstract art.

Throughout his career, he has worked with various components, including oil, acrylic and pastels on paper or canvas. Diversity lines in his work set him apart. The precision and rationality of the The characteristics of his work are visible in the fact that he frequently created a spontaneous preliminary version (by the transfer method) before creating the larger, definitive form throughout. from the 1930s and 1950s.

 

War and post-war

Hartung served in the French Foreign Legion in North Africa and Alsace during World War II, where he was seriously injured. During the conflict, he was amputee of one of his legs. His service was interrupted when he was imprisoned. in a Spanish detention camp, from which he was eventually released. released thanks to American aid.

After the war, Hartung's mature style, which included swirling and dynamic linear themes, gained a receptive audience. After successful exposure to Paris in 1947, his art was exhibited in Paris. throughout Europe, as well as the United States, Japan and Latin America. He won the Grand Prize at the Venice Biennale in 1960, and his work received its own space in the French pavilion. He had a significant impact on the post-war European school of abstract art.

Hartung's later works are increasingly calm and stable. Letters and numbers are used to title several of his paintings.

 

Tachism

Tachismo was a popular school of painting in Italy. Paris during the Second World War and into the 1950s. It emphasized the instinctive and spontaneous action of the artist's brushstroke. Tachism was created by the young artists Hans Hartung,Gérard Schneider, Pierre Soulages, Frans Wols, Chao Wu-ch i (Zao Wu-ki) and Georges Mathieu as part of a broader post-war French movement known as Art Informel. The latter rejected geometric abstraction in favor of a more intuitive form of expression. Informal Art has been influenced by the spontaneous style and personnel of current American abstract expressionism, of which Action painting was one facet.

The tachistes trained in France, like their American counterparts, used a brush loaded with paint. to create huge works with broad brushstrokes and drips, spots and splashes of color. Their work, on the other hand, is more delicate and poetic than that of American painters like Jackson Pollock and Willem de Kooning, from whom French artists draw inspiration. Likewise, tachists are less dependent on uncontrolled mental inspiration than Action artists.

 

End of career

Hans Hartung receives his first retrospective in Paris. the Kunsthalle in Basel in 1952. The same year, the Museum of Modern Art in New York purchased his work T1948-15.

It installs at any time. Antibes with his wife, the painter Anna-Eva Bergman, after many years spent abroad. Paris. Hans Hartung created He began his approach using vinyl paint from the automotive industry in the early 1960s. His art became more fluid over time. Towards the end of his career he used a pistol paint for spraying and making drawings. Throughout his seven-decade career, he has demonstrated constant innovation in media, each with its own formal creative language.

Découvrez quelques oeuvres inspirées de Hartung

Named contemporary work « Dame blanche », Made by JEAN-MICHEL GARES
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W. 20 x L. 35 x D. 35 cm
jean-michel gares
Named contemporary work « Frimas 1 », Made by JEAN-MICHEL GARES
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W. 9 x L. 9 x D. 9 cm
jean-michel gares
Named contemporary work « Série ETHNIQUE  : Ethnique 2 », Made by YANNICK RIGAUD
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W. 80 x L. 80 x D. 80 cm
yannick rigaud
Named contemporary work « CYPELLA », Made by MICHEL MICHAUX
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W. 30 x L. 40 x D. 40 cm
michel michaux
Named contemporary work « Cent toits sans toi », Made by CHRISTIAN MENARD
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W. 60 x L. 60 x D. 60 cm
christian menard
Named contemporary work « impression XI-93 », Made by PéBé
600 €
W. 0.3 x L. 0.4 x D. 0.4 cm
pébé
Named contemporary work « Kakemono 16 », Made by JEAN-MICHEL GARES
PRIVATE COLLECTION
W. 53 x L. 180 x D. 180 cm
jean-michel gares
Named contemporary work « Syringa », Made by RACHIDA
1 500 €
W. 100 x L. 70 x D. 70 cm
rachida
Named contemporary work « Kakemono 20 », Made by JEAN-MICHEL GARES
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W. 53 x L. 180 x D. 180 cm
jean-michel gares
Named contemporary work « Kakemono 12 », Made by JEAN-MICHEL GARES
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W. 53 x L. 180 x D. 180 cm
jean-michel gares
Named contemporary work « impression  tension  XI 04 », Made by PéBé
500 €
W. 16 x L. 24 x D. 24 cm
pébé
Named contemporary work « Grand Janus », Made by JEAN-MICHEL GARES
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W. 30 x L. 80 x D. 80 cm
jean-michel gares
Named contemporary work « oui,mais alors », Made by PéBé
600 €
W. 30 x L. 40 x D. 40 cm
pébé
Named contemporary work « Virage », Made by PéBé
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W. 33 x L. 40 x D. 40 cm
pébé
Named contemporary work « Canicule 1 », Made by JEAN-MICHEL GARES
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W. 9 x L. 9 x D. 9 cm
jean-michel gares
Named contemporary work « le temps », Made by ROEMY
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W. 45 x L. 90 x D. 90 cm
roemy
Named contemporary work « un pas de plus, et... », Made by PéBé
600 €
W. 24 x L. 32 x D. 32 cm
pébé
Named contemporary work « En pensant à HM », Made by PéBé
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W. 33 x L. 40 x D. 40 cm
pébé
Named contemporary work « Zorro », Made by VIVIANE LESZCZYNSKI
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W. 20 x L. 30 x D. 30 cm
viviane leszczynski
Named contemporary work « Frimas 2 », Made by JEAN-MICHEL GARES
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W. 9 x L. 9 x D. 9 cm
jean-michel gares
Named contemporary work « Nu 349 », Made by GUERNEZ
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W. 32 x L. 50 x D. 50 cm
guernez
Named contemporary work « Kakemono 19 », Made by JEAN-MICHEL GARES
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W. 53 x L. 180 x D. 180 cm
jean-michel gares
Named contemporary work « Peinture acrylique 4918 », Made by JEANNE LE GUEN
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W. 100 x L. 100 x D. 100 cm
jeanne le guen
Named contemporary work « paysage », Made by ROEMY
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W. 30 x L. 40 x D. 40 cm
roemy
Named contemporary work « Les barques 4 », Made by JEAN-MICHEL GARES
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W. 18 x L. 18 x D. 18 cm
jean-michel gares
Named contemporary work « ombres  », Made by ROEMY
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W. 38 x L. 55 x D. 55 cm
roemy
Named contemporary work « Terre de langage », Made by CHRISTOPHE JACQUEMOT
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W. 60 x L. 60 x D. 60 cm
christophe jacquemot
Named contemporary work « nue  », Made by MICHEL MONTIGNE
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W. 50 x L. 70 x D. 70 cm
michel montigne
Named contemporary work « arbre mort », Made by BAL
300 €
W. 42 x L. 60 x D. 60 cm
bal
Named contemporary work « me?lancolie  », Made by ROEMY
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W. 30 x L. 40 x D. 40 cm
roemy
Named contemporary work « ARETE ACIDE  », Made by CAROLINE BRUN
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W. 40 x L. 80 x D. 80 cm
caroline brun
Named contemporary work « impression  VIII 04 », Made by PéBé
700 €
W. 30 x L. 40 x D. 40 cm
pébé
Named contemporary work « Ombres », Made by ROEMY
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W. 33 x L. 41 x D. 41 cm
roemy
Named contemporary work « des yeux », Made by ROEMY
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W. 25 x L. 25 x D. 25 cm
roemy
Named contemporary work « Vol 01 », Made by FRéDéRIC DIDILLON
169 €
W. 40 x L. 60 x D. 60 cm
frédéric didillon
Named contemporary work « centaures bleus 1 », Made by DIDIER GOESSENS
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W. 50 x L. 40 x D. 40 cm
didier goessens
Named contemporary work « Partition pour un ange », Made by CHRISTOPHE JACQUEMOT
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W. 40 x L. 40 x D. 40 cm
christophe jacquemot
Named contemporary work « Gaïa », Made by JEAN-MICHEL GARES
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W. 20 x L. 45 x D. 45 cm
jean-michel gares
Named contemporary work « Dame d'acier », Made by JEAN-MICHEL GARES
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W. 20 x L. 35 x D. 35 cm
jean-michel gares
Named contemporary work « De la vigne 1 », Made by JEAN-MICHEL GARES
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W. 30 x L. 30 x D. 30 cm
jean-michel gares
Named contemporary work « POP 007 », Made by CAROLINE BRUN
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W. 100 x L. 100 x D. 100 cm
caroline brun
Named contemporary work « Fleurs 74 », Made by CHRISTIAN DOLLET
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W. 50 x L. 65 x D. 65 cm
christian dollet
Named contemporary work « Kakemono 7 », Made by JEAN-MICHEL GARES
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W. 53 x L. 180 x D. 180 cm
jean-michel gares
Named contemporary work « Concerto des Silences », Made by CHRISTOPHE JACQUEMOT
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W. 100 x L. 80 x D. 80 cm
christophe jacquemot
Named contemporary work « Silhouettes  », Made by ROEMY
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W. 30 x L. 40 x D. 40 cm
roemy
Named contemporary work « Cocorico », Made by VIVIANE LESZCZYNSKI
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W. 20 x L. 30 x D. 30 cm
viviane leszczynski
Named contemporary work « Vénération », Made by JEAN-MICHEL GARES
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W. 25 x L. 60 x D. 60 cm
jean-michel gares
Named contemporary work « Nu », Made by ROEMY
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W. 30 x L. 40 x D. 40 cm
roemy
Named contemporary work « sous-bois  », Made by ROEMY
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W. 30 x L. 40 x D. 40 cm
roemy
Named contemporary work « 2 sans atout », Made by CHRISTOPHE JACQUEMOT
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W. 80 x L. 80 x D. 80 cm
christophe jacquemot