Aosten, artiste portuaire

Artistic Approach

Paint? Photograph?
Rather Start A Pas De Deux With These Artistic Processes!


Welds Between The Lines

The Colors Of My Palette Of Shapes Are Made Of Welds, Of Hues Responding To Each Other. Are These Still Photos Or Already? Paints? Neither One Nor The Other. Rather A Dance Step, A Tango With Photo And Brush, As Well As A Contemporary Search For Graphic Design, Coming From Industry, Based On Destination For Art And Decoration.


Everything Is Said (almost!): Photography Is Precisely Used As A Medium: It Is A Tool That I Use To Locate, Frame, Structure The Image, Isolate The Shots. an Objective Of Intervention With A Precise Subject, Framed, Never Reframed.

My Painting Is, Then, The Expression Of The Encounter With Nature. The Edge Of The Worlds, Like A Non-manufactured Witness Port To Port Exchanges Port. On The Quay Exactly. On The Menu And For An Almost Unique But Renewed Dish; à Infinity: The Hulls Of Ships. Bloodletting Vancouver, Rubbed Against The Fenders Of Hong Kong, Hoisted To The Quays Of Lorient Before Leaving For Le Havre, For Me They Are The Work Reworked A Hundred Times: The Wave That Makes My Painting.
As A Filigree I Insert Just A Bit Of Resilience Where The Art Of Forgetting The Wound On The Hull To Retain Only The Aesthetics Seeming To Emerge From Within.