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The Evolution Of My Pictorial Technique Cannot Be Understood Outside Of The Relationship With My Work On Urban Space. It Is The Writing Of An Urban Planner's Memoir Which Will Bring Me Grist To The Mill Of My View Of The Void. First There Is Writing... This Text Entitled: "From The Mastery Of The Void To The Reconquest Of The City" Which Aims To Offer Tools To Rework On Urban Space. "Noting That Urban Space Is Constituted By In The Majority Of Vacuum, It Seemed Appropriate To Us To Ask Ourselves The Question Of Its Nature, Its Role And "how To Control It" To Produce It. It Is Firstly To Through A Quick Overview Of The History Of Cities, From The Origins To The Present. Our Days, That We Have Searched For à Decipher The Language Then Take A Look At What It Is. Through This Question Of Emptiness In The City. Then, Try To Explain The Mechanisms Which Cause The Void To Be Revealed, To Become Effective, To A Greater Extent. Through The Notions Of Transformations, Chance And Relationship To Time. We Had Nothing Left To Do. Propose, To Through An Approach, Tools Allowing Project Owners To Act On Urban Space In Order To Give Back To Nature. Man His Place In The City." With The Images... That Of The Pantheon At Rome Which Is For Me The Perfect Example Of The Symbolic Representation Of The Notion Of Void Through This Opening In The Dome, The Link Between Heaven And Earth. Then, The Image Of An African Village Which Is The Expression Of The Complexity Of The And Subtlety Social Relations Of A Community. And Finally, The Image Of The Center Of Florence, Symbol Of The City. European Renaissance. But The Void Is Not There. Read In The Blanks, It Is In The Whole Of Space. Public Voids And Private Voids Coexist, Juxtapose, And Interpenetrate. And There Is Painting... As A Revelation And A Mode Of Expression Perhaps Even More Effective To Say It. This Is One Of The First To Be Take The Turn To Express The Void. This Is Why It Will Be Integrated Into The Text Of This Dissertation Because It Says What The Plans And Sketches Say To The Reader. Their Way.