After A Lot Of "going Around In Circles", After A Period Of Latency, A New Direction Emerges. Some Clarification. The Void Begins Become Reality. But It's Still Very Vague.
A Personal Break That Allowed Me To Get Back Into The Swing Of Painting. A Beneficial Isolation. The Link With The City Space Is Taking Shape. But There Is Still A Lot Of Work To Do To See The Ins And Outs Of This Project Put Into Place.
The Emergence Of The Idea Of Working On The Void At A Glance About Urban Space. From The First Attempts At A Village In Provence To; Deepening The Idea In A Competitive Competition Berlin.
A Village That Doubles In Population
A Certain Dynamic Is Beginning. But It’s Not Yet That.
Personal Experiences On Recomposition Projects In Old Buildings.
Here, A Triplex Extending Over Two Floors In The Center Of Aix-en-Provence.
A Piece Of A Big City Neighborhood.
The Result Is An Urban Layout Where Each Project Keeps Its Own Personality. In Compliance With The Main Lines Of The Urban Plan.
And Then, One Day...
The Void Is Revealed Under The Brush When Thinking Of Cézanne's Work On The Sainte-Victoire.
Work On The Void In This Context Consists Of: Not Giving Yourself Limits Between Inside And Outside. Search For Relationships With The City In A Sustainable Way. Be Part Of The Globality Of Of The Surrounding Urban Space.
On A City Scale, The Main Design Lines Are At The Same Time. The Image Of These Lines Which Run Through A Painting In Order To Define Spaces, But Without Ever Touching In Such A Way As To Make Sense. What These Spaces Breathe, Live. This Is How The Void Becomes Reality. Because Sociability Can Thus Enter And Give Meaning To The Spaces.
One Of The Technical Facets Necessary To The Shaping Of The Void. It Results From The Shaping Schemes Of The Void.
Here, The Definition Of Intervention Islands Referring To Sheets Defining The Technical, Formal And Administrative Characteristics.
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