Discover the contemporary work of Dalmais
Solo exhibitions and events since 2015
2024 Winner of the MONASTERE DE BROU prize.
Exhibition: Espace 3 lacs and Wouha’art festival in Nantua, Cuiseaux biennial, gallery in outside the frame in Oyonnax, sculpture trail in Pesmes 70 140, Sculpture trail in Domaine de la Garde 01000 . Cuiseaux Biennale 71,
2023 Creation of a 4 m high sequoia wood sculpture for the town of Oyonnax
2022 Solo exhibition at La Fourmi Verte in Echallon, 01.
2018 "Forest Inspirations" exhibition at the Nantua Tourist Office, 01
Participation in Sculpt Nature, Domaine de la Garde in Bourg en Bresse, 01
Participation in Woua'art, an art festival in Nantua on July 7, 8, 9, and 10.
Group exhibition "ARTS PONCIN 2019" from October 18 to November 3.
2021 Solo exhibition "Mémoires de Papiers" at the Buffet bookstore in Oyonnax, 01100.
2020 Covid Year …
2019 Solo exhibition: The bar at creations, Bourg en Bresse, 01.
2018 Exhibition "Forest Inspirations" at the Nantua Tourist Office, 01
Group exhibition "ARTS PONCIN 2019" from October 18 to November 3.
2017 Exhibition at "L'Atelier Noria", Oyonnax, 01.
"River Columns" Installation, 36 m2, Miklos Patio, Oyonnax Cultural Center, 01
Performance "Sculpture for the Crédit Agricole General Meeting", Arbent, 01.
2016 Artists' Trajectories, Espace 3 Lacs in Nantua, 01.
"Vapeur d'O", exhibition at the Musée de La Grande Vapeur in Oyonnax, 01.
Exposure to the Galerie du pont des Z’arts in Paris Seyssel, 73.
2015 «Matèagrave; reflection» Exhibition at the Château des Allymes, Ambérieu en Bugey 01
« Bronzes the ’shadow » Exposure to Oyonnax Town Hall, 01
« Vagabond ‘Art » artistic journey through Nantua, 01
Rikia Ferrer Gallery at Riquewihr, Alsace.
For painting: At first glance, figurative and expressionist. For me, pictorial practice is the door that opens onto a space of multiple experiments. I like to vary the supports, new or already used (nautical charts, pages from very old books, veneers, etc.)
For sculpture: For several years, I have been working on the theme of fundamental forces by developing a very sober visual vocabulary, stripped of iconographic references and relying on the contextualization of personal works.
