Discover the contemporary work of JLC

D’initial training at a professional level at the Charpentier Academy, followed by entry to the Beaux-Arts in Paris after the competitive examination and a few years later. study antiques, drawings, living models, paintings, art history, etc. I am moving towards a completely different path, the press and publishing. It is in the press for children and adolescents that my career will mainly take place, while regularly pursuing a professional activity. artistic to through drawing.

Once at After retirement, I reconnected with the Beaux-Arts of Paris and initially undertook a series of portraits, as well as still lifes. Subsequently, on the strength of this recovery, I explored the forest of Meudon (near Paris) and discovered the play of shadow and light, on the ;vegetation and soils, and see appear at agrave; my gaze sees fantastic forms and apparitions which gradually appear and disappear. as the day passes.

At the same time, with two friends I met at the Beaux-Arts, I worked on the pattern with pastel. At the same time, I undertake a professional activity. of modeling-sculpture Sèvres then to Meudon. I am planning to work with glass in the near future and I am currently doing a second internship to better master the constraints.

Coming very soon two group exhibitions (Association Zinzoline) at Blaye near Bordeaux, as well as’ Meudon at the Orangery.

It is possible to see part of my creations on the site: e-motifs.org, the inventory made is not exhaustive.

Having participated in à the exhibition "The Single Machines" in 1976, this gradually determined my outlook on on the things that interested me to work on. As a result, I moved away from it. of a classical or even modern representation, to research how to transcribe what I look at in order to make people feel what I feel about it at the moment. Bodies, objects or landscapes thus gradually lose their daily realities and try to make them feel what they are in an underlying way.