Discover the contemporary work of LBdeB
A C T I V I T É S A R T I S T I Q U E S
Strasbourg – The Public Writer - Surrealist Photographic Exhibition - December 1985
Paris - Galerie S&eac;guier – Photographic Exhibition – Recomposing space - May 1990
Paris - Galerie Seguier - Photographic exhibition: The urban installations of Tamara de Lempicka. - 1992
Montpellier – Center Nicéphore: Photographic exhibition for the centenary of Cinema - 1995
Montpellier – Center Nicéphore: Interactive digital multimedia installation « The Langevin twin paradox » - 1997
Toulouse - The water tower - Collective photographic exhibition - Les mains - 1997
Montpellier - Project: « Digital Voodoo » - interactive theater - 1997
3D short film (digital): « Nemesis » - 1999
3D short film (digital): « Badja Adventure – Lands Ka » - 2003 – 2005
Montpellier - EπGnétiK arts – Digital Art - 2023
Sarlat - Hotel de Maleville - Exhibition “Gap and De-coincidence” - Digital Art - April 2024
A C T I V I T É S
Director of the Nicéphore image center - Gallery of film and digital photographic exhibitions - 1994 - 2000
Educational director of schools in Montpellier in 3D digital art - 2000 - 2007
Creator and director of the e-tribArt Institute - Online 2D/3D computer graphics school Bac+3 diploma - Since 2007
ÉSTUDIES
EAC - Paris - School of Art and Communication - Cultural Engineer - Digital Art Specialization - 1997
Note of intent:
From digital photo prints, extracting plots of shapes from reality, the digital nodal crossing giving unrelated visuals, the image creator, liberated ;ré from the yoke of the ancestral imprint, rediscovers the possibility of digitally of his imaginary combinations, and has fun playing with them. give to see a visual structure open to new sensitive connections.
The uncoordinated forms present are recomposed for a new impression. At that moment, photo images re-written digitally force us to change. the exchange, causing new connections, each seeing an impression at the same time. transmit.
Organic, plant-based and humanly constructed, the forms of reality are recomposed outline impression spaces directed by the restructured lighting. The light structures add a link between these shapes, showing a possible printing path.
After having been – extracted from reality, the images thus return to this reality. without possible direct analog juxtaposition, imprinting on in turn this reality. Imprints of the imagination permeating our reality.
