Discover the contemporary work of L'HIRON
Founding president of the association « Passage to l’Art » dedicated to the visual arts.
Né on 6/02/1958 at Millau, François Fabié in 1969, end of secondary studies at Montpellier, commitment to civil life through poetry, written and hawked, then the theater; came to Visual Arts in 1980, friendship with Michel Raimbaud, travels with open eyes, exhibitions and installations various, works of skin, wood, metal and stone, sculptures and paintings but also film and digital photographs … Invention of the Must’off character concept, the signed glove, the paste and the leather paper…
Originality Prize from the city of Aix en Provence in 1999.
Present in The Bible of Singular Art/2007/2011 and 2013.
The skin and the words are the initial vectors of the art practiced in the world. by Christophe Liron since a young age. In Millau, cited glove where he grew up and lives abroad; Nowadays, we don't say "leather", we say "skin"... For him it is therefore a question of playing more finely, more subtly with a sensitive surface which becomes a support for written or sculpted poetry, protection or interface. Everything at hand both watchman and A seeker of meaning, a bit of a shaman, he already has shot from nothingness a whole people of abyss and skin, the famous Mustoffs, dolls of emptiness mounted like teepees of inanity. à the face of the world, developed and crafted in France then partly in Morocco where they went to school before reclaiming the “doing”… This essentially creates works in 3 dimensions; his books even become "objects", his characters often take shape around the void, his paintings generally become volumes: small theaters of an improbable encounter of objects in the “framework” singular stories that he knows by heart and from before, and that he tells us, bringing back to the surface a forgotten common heritage. or premonitory, which often comes to call into question destinies even as many infinities as life would like to see. transform.
Sometimes combined in installations expanded in space, these precious and raw associations of meaningful objects and fragments arranged and then shaped always speak a language of inexhaustible signs. Christophe Liron is a translator of the invisible which he embraces with happiness and in a timeless way in the matter.
