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Lionel Mathieu is a painter, self-taught, handyman installer, set designer and scenographer in event communication in the 90s in Paris (the Carrousel du Louvre, Bercy, the Grande Bibliothèque). He integrates the progress of stage lighting and is interested in projections of giant images.
He painted his first abstract painting facing Mont Blanc and has held several exhibitions, often in Uzès where he will later set up a workshop. His exhibitions can combine sound, scents and/or taste. He says "to make sure that after discovering a painting, an installation, a moment of creation, the person to whom one addresses oneself comes out lighter, improved, enriched with a new emotion that will help him or her become a little more himself or herself".
At the end of the 90s, he traveled to Italy and painted in Tuscany in the company of other painters. Always on the lookout for a raw expression of the elements, he did research to express the dullness pigment and freeze it on the canvas.
In the 2000s, he worked with tar, unconsciously echoing the discovery in the 80s of Pierre Soulages.
Lionel Mathieu has just moved into a new loft space workshop to develop his creation and to create moments of sharing and emotions and also to discover new talents, artists of today and tomorrow.
See my site WWW.lionelmathieu.com
Lionel Mathieu is a painter, self-taught, handyman installer, set designer and scenographer in event communication in the 90s in Paris (the Carrousel du Louvre, Bercy, the Grande Bibliothèque). He integrates the progress of stage lighting and is interested in projections of giant images.
He painted his first abstract painting facing Mont Blanc and did several exhibitions, often in Uzès where he would later set up a studio. His exhibitions can combine sound, scents and/or taste. He says that he "makes sure that after discovering a painting, an installation, a moment of creation, the person to whom it is addressed comes out lighter, improved, enriched with a new emotion that will help him become a little more himself".
In the late 90s, he traveled to Italy and painted in Tuscany with other painters. Always on the lookout for a raw expression of the elements, he did research to express the dullness pigment and freeze it on the canvas.
In the 2000s, he worked with tar, unconsciously echoing the discovery of Pierre Soulages in the 80s.
Lionel Mathieu has just moved into a new workshop in Lyon, a loft space to develop his creativity and to create moments of sharing and emotions and also to discover new talents, artists of today and tomorrow.