Discover the contemporary work of Magda HOIBIAN

Magda Hoibian is a self-taught artist, who paints in a free gesture, using starting from the elements of life and sensations and emotions, transforming his feelings of the world, of current events, into semi-abstract compositions with always a more figurative addition in curved forms linked to ; his way of living, seeing the world and painting. Nothing is wrong right angle in nature and that's what interests him.

She lives and works in Touraine, in France. Betz-le-château, currently, since 2018.
She exhibits and opens the doors of her workshop on a regular basis. His painting is evocative and sensory.

She followed training at contemporary art at Marseille in the 90s with Anny Lazarus and after obtaining a degree in Educational Sciences she freely followed the degree courses in Art History at the University of Marseille. Aix-Marseille. But she is a self-taught artist, always in research.

His artistic work is a navigation between abstraction and free figuration, a deeply organic painting. Inspired by Nature, by the unconscious, she who thinks a lot, extracts herself from pure thought to sublimate it in an abstraction by letting go where she is. the intelligence of the hands and the instinct of composition will take control. She fills sketchbooks and sketches. but paints directly on his canvases, in complete freedom. gesture. She is always researching, reading a lot, interested in other artists and exhibitions. Rounding is almost a biological gesture: We start from the shoulder, the arm then the hand follows in an amplitude or a tight gesture. but in curves.
His painting reflects his sensations, without doubt, in free, ample gestures, and details worked in particular on textures and meaningful shapes such as abstract vulvas or crescent moons. Femininity and feminism, ecology have meaning and find a place in his compositions.

She works on her canvases in a very bodily way, as in a body with a face. body, the backgrounds are very worked, layer after layer, and the shapes then come to take place, then its added details finalize the composition.

She also paints watercolor either on paper or on books that she works on. paint entirely for exhibitions, and for artists' notebooks on white notebooks or scores of old music. His art is at the service of sensation, we speak of hyper-sensitivity; and kinesthetics.

Magda Hoibian paints with acrylics and oils, mixed techniques and also uses digital painting. Her primary medium is color, which for her carries a lot of sensations and emotions through the vibrations that the colors diffuse. p>

She exhibits regularly and offers her work online as well as in physical locations.

« I am a dreamer in a difficult world. When I paint, when I am at ease; both alone and connected, it is a very powerful feeling. »

This side This dreamer has a counterpart, that of revolt, present in me since childhood: Born a girl, I never accepted what I wanted. to keep quiet as I was asked, I then had to navigate a society rough like the majority women. My painting contains all this and more, bursts of anger, a word that refuses the imposed limit, a wonder for the plant and the elements, a desire powerful freedom above all, a freedom which demands respect, demands and takes me towards new pictorial and poetic paths ever more forward.

My creations are deployed throughout the world. through lines and curves drawn in a brisk or slow amplitude. It’s in this gesture, through this variable amplitude that my sensitivity crystallizes; and my intuitions for both define and illustrate the inspiration of a presence at the same time. through an abstract expressionist form and testify to an intuitive thought, sublimation of my perception of life at a glance. through gestures both casual and necessary which gives shape to my emotions and sensitive perception of the world. Captured by the act of creation, I instinctively give substance to what is happening. the pictorial material to end up becoming one with it. My gestures are free, intuitive.

My semi-abstract, organic painting, the convolutions formed on the canvas, the colors participate in a universal language, that of pure sensation. It is through this process that that the emotional dimension of my artistic work becomes perceptible as much in the contemplation of the surface as in the evocation or the discourse that the work induces. The elements of life are the sensitive common thread of my work and my place as a woman artist, shaman poet, uses words such as the visual, sounds and relationships with plants, the links between humans and other living things to nourish creation, meaning and poetry of life.

I am a feminist artist, an ecologist and my painting is organic and shot through with the importance of making us feel how essential the elements of life that are air, l’ water, the earth and its plants and fire/light. I consider that this respect for the living is a feminist position and as a female artist I feel extremely concerned about this. both by the place given to women and how this world will evolve in the face of major climatic challenges which are very political.