Discover the contemporary work of Marie de Grandry
Née en 1971 à Boulogne-Billancourt
Vit et travaille à Paris
Site internet : https://mgrandry.wixsite.com/marie-de-grandry
Instagram : mariedegrandry
Etudes :
Master et CAPES en Arts Plastiques à l’Université de Paris 8, Saint-Denis
Deux années de formation en Art et Thérapie (INECAT).
Expositions :
2022 Braderie de l’Art, La Condition Publique, Roubaix
Désir, hommage à Isabelle Lévénez, 5.7 Isabelle Suret, Paris 5ème
2019 La vie en rose, Espace Jocelyne Outrequin et Galerie Espace Canopy, Paris 18ème
2018 Salon des Arts-Visuels, Salle Olympe de Gouges, Paris
Made in France, Espace Jocelyne Outrequin, Paris
2016 Salon des Arts-Visuels, Salle Olympe de Gouges, Paris 11e
« La petite collection » conception de Florence Lucas
Galerie White Project, Paris 3ème
2013 « Accords », Espace Jocelyne Outrequin, Paris 18ème
2008 “Between us”, Galerie Miss China Lunch Box, Paris 9ème
2007 « C’est mon tableau », Galerie Christine Phall, Paris 5ème
« Les filles et moi et moi et moi », une proposition d’Isabelle Lévénez,
Galerie Miss China Beauty, Paris 1er
2006 « Sourires », Espace Jocelyne Outrequin, Paris 18ème
2004 « Portrait en abîme », avec Léna Golovina, Espace art-exprim , Paris 18ème
1999 « Sur les droits de l’homme », Espace la Mercerie, rue Oberkampf, Paris
1998 « Dessins » à “l’atelier”, Paris 18 (avec Isabelle Lévénez, Béatrice Cussol...)
Since 1998, his work has explored and questioned the body, the central motif and subject of his work, through the mediums of drawing, watercolor or painting.
In the series of works that she has carried out since 2001 on the recurring theme of the body. This time represented by in weightlessness, between two states. Thecharacters are captured in their movements, in hesitant attitudes, they fly, dance, glide, fall. Bodies that seek their presence in the world, the place they could have in a society of their own. who is dehumanized.
It then reaches something of a truly existential measure, it lifts a piece of the veil of something repressed.
The spectator is then placed; in the position of witness, a position in which he cannot remain indifferent.
The characters float in the support and their outlines are not visible.
These «post baroque bodies» revisit in a certain way those of the ceilings of Italian churches of the 17th century in a more contemporary spirit of pathos as evoked by Catherine Grenier inLa Vengeance des é motions, Seuil, 2008
Since 1998, his work has explored and questioned the body, the central motif and subject of his work, through the mediums of drawing, watercolor or painting.
In the series of works that she has carried out since 2001 on the recurring theme of the body. This time represented by in weightlessness, between two states. Thecharacters are captured in their movements, in hesitant attitudes, they fly, dance, glide, fall. Bodies that seek their presence in the world, the place they could have in a society of their own. who is dehumanized.
It then reaches something of a truly existential measure, it lifts a piece of the veil of something repressed.
The spectator is then placed; in the position of witness, a position in which he cannot remain indifferent.
The characters float in the support and their outlines are not visible.
These «post baroque bodies» revisit in a certain way those of the ceilings of Italian churches of the 17th century in a more contemporary spirit of pathos as evoked by Catherine Grenier inLa Vengeance des é motions, Seuil, 2008.
