Discover the contemporary work of Frederick MAROSELLI

Free, indomitable, allergic to fashion and fashion. Unique in his thinking, Frédérick Maroselli is a totally atypical sculptor. à the sculpture by Albert Féraud and assistant to the artist from 1969 to 1980, he moved to Paris in the world of contemporary sculpture and the orchestrated abstract movement by various artists including César. He frequented the Meth workshop in Penningen and Jacques déAnddon, the Roederer Art Academy and the Ecole Nationale Supé a graduate of the Beaux Arts de Paris and thus perfected, among the greatest, his artistic training. A stint in the workshop of César and Charpentier from 1973 to 1973. 1976 confirmed his tastes and desires. Versatile and passionate, he participates in the creation of monumental sculptures in stainless steel, works in collaboration with various photographic firms throughout the world. creating moving sculptures and creating perfume bottles for Givenchy. This pure-bred Parisian asserts a pronounced taste for for independence. The world of abstraction allows him to completely escape and give free rein to his ideas. his creativity overflowing. "Abstraction" underlines Frédérick "erases the constraints of representation. It is the domain of infinity and offers a space of freedom. immeasurable. For this strong and impulsive character, this universe is essential to your life. its development. Attracted through the multiple possibilities of stainless steel, he created his first monumental works. "Sculpture" specifies the artist “is always mounted on the ground. It’s like vegetation, it must grow on site. We start from a general idea which evolves according to the requirements of the place and the feelings of the sculptor. On the ground we can understand the volumes and rearrange the pieces in order to create a true harmony. The artist first creates a stainless steel model. The different parts are then produced in the workshop and transported to the assembly site. Stainless steel is a very hard material which often requires industrial tools. Shears, grinders, benders and folders are part of the sculptor's toolkit. "The side" The "living" of steel is obtained by degreasing and brushing the parts" indicates this one. "Brushing allows you to obtain certain reliefs on which the light plays. It also gives optical effects." After digging, concrete, the location of the sculpture and its placement the reinforcement which will provide the anchoring points, the assembly of the latter can begin. Depending on the sensitivity of the sculptor and the space, the pieces will be assembled, welded to give the best of themselves, capture the light, take possession of the place and take possession of the place. ;bloom in a burst of astonishing forms. "Steel is a material that I like" underlines Frédérick "because it must be tamed. It offers freedom exceptional expression but paradoxically brings many constraints. I like this perpetual fight with matter. I appreciate these recycled materials because we can create them with new materials. starting from existing unusual shapes or completely transforming the pieces. The possibilities are endless. "Whether they are monumental or small, the works of Frédérick Maroselli seem to "live" within a space. and radiate internally. Enveloped in sensual curves or bristling with arrogant shapes, folded, pleated, patinated or enameled, they play with light and place to better challenge us, seduce us and make us dream. "The role of sculpture" says Frédérick "is to make people dream but also to encourage people to dream. reflection and allow for reflection. everyone to open doors. An interesting journey that risks shaking our neurons for our greater good.Marie-Jo GACEK- Passion Grand Est