Discover the contemporary work of PILAR MORALES

Titleed  In 1990 as a TECHNICAL ARCHITECT from the Polytechnic University of Madrid, he began to work. work that same year and until  1993 as   Technician for the Hon. Getafe City Council, in Workshop School programs, developing work manager tasks as well as as teaching theoretical classes to student-workers.

Between the years 1991-95 I studied Interior Architecture at the School of Decorative Arts of Madrid and in this year 95 I became a full professor at said school in several subjects until 2015.< /p>

Since October 2016 I have been part of the Teaching Team at INSENIA DESIGN SCHOOL MADRID teaching classes in the Annual and Global Master of Interior Architecture, and since March 2020 in the online version of the same, participating with articles about Construction and Decorative Materials in INTERIPEDIA, the Insenia blog.

During the years 1991 to 94 I participated in I studied ceramics workshops and it was with the gift of a box of oil paintings for my birthday in 1996, when I thought: well, I have to do something to use this gift, and I enrolled in ceramics workshops. in the  “Study” directed by Soto Mesa in Madrid and so That's how it started my passion for the fine arts, covering various disciplines until today, the year 2024.

My photographs allow me to gradually discover my identity, direct experience, building the basis to get closer to understanding reality.

In my natures, my places, which sometimes become transparent as if it were a transitory step, are mixed with a written code to merge into a whole

Trees, flowers, sea…, images captured with my mobile phone on my trips and walks, create a new language where color is the protagonist.

I feel that these works are moving further and further away from what a documentary image is, to reflect my dream moment.

These photographs no longer just collect memories to keep, but have become a language to exchange, to share on social media. I think right now for me It is more important to share than to possess.

I live like many plastic artists, immersed in a world saturated with images, we live in the image and the image makes us live, but my interest is not only focused on capturing a moment, but through ;s of my compositions I create a  own and unrepeatable moment.

The photographic gesture becomes for me in a communicative and at the same time playful act.