
Discover the contemporary work of rose Labrouste

A year (1969/70) of practicing ink painting with master Ung No Lee (Korean/Cernuschi) baccalaureate in classical literature (1971), 4 years at ENSBA in Paris practice of drawing with R.Blin, practice of mosaic with R.Licata, pregnant in 76, I leave ENSBA, self-taught practice of ceramics, beginnings of ceramic murals for clients of interior architects for 20 years, numerous orders in ceramic mosaic from DPLG architects for entrances of buildings under renovation for 10 years. Private sales of ceramic pieces (containers, jewelry, etc.), canvases (acryl, oil). Regular practice of watercolor on the motif, numerous travel notebooks etc....
stopped ceramics in 2004
For painted works, various explorations, ranging from the memory of an emotion during a punk concert to practicing on the motif as close as possible to sight, without prior drawing to always be in the risk and sharpen doubt. For abstract works are privileged space, emptiness, traces, suggested poetry. I avoid the frontality of an ego expressing itself in a univocal way and feel more comfortable with movement, changes. Also research in kinetic art, mobiles or wall pieces composed of nets (moiré effects) with highlights of fluorescent paint. These practices: ceramics, mosaics, watercolors, oil painting, acrylic and creation of mobiles, enrich each other with influences.