Discover the contemporary work of Véronique FANTI

Born in 1959, she was born in 1959. very early sensitive to painting.

His father, a printer, introduced him to the great masters of the Italian Renaissance.

    The artists who inspired him: Michelangelo, Balthus,
    Nicolas de Satël, Frida Kahlo, Berthe Morisot, Camille Claudel,
    Anselm Klefer, Ernest Pignon-Ernest, Gerhard Richter,
    Joan Mitchell, Fabienne Verdier, Michel Hergibo (her master)

 After studying in different art schools, including the Ecole Supérieure des Arts Modernes in Paris, she settled in the ;Yonne. She creates textiles and wallpapers on a freelance basis.

Several years of work in Michel Hergibo's workshop will lead him to develop his skills. assert your style. During this period, she goes on a journey. the search for materials (pigments, canvases, glues) which allow him to express his emotions.

Today, his painting takes him towards essentially natural themes.

Véronique Fanti exhibits in Italy and Germany and England
 

Which encourages me to paint

The atmosphere of the place is very important to me. I need to have a connection with the landscapes I paint.

I particularly like to take a detail and isolate it from the rest to highlight it. I paint one detail more than another, because a moment of light, a shape particularly attracts my attention. I sometimes work on the same subject of a landscape in different formats and views.

I like winter landscapes, This season nature has colors and shapes that we do not see when they are loaded with leaves and fruits. I love the light and colors of this season.

I choose the format based on what I want to paint. I stretch burlap on a frame. I prepare it to receive the funds which will give the atmosphere of the canvas.

My palette is made of  pigments that I mix with a binder. In the workshop, I work on from sketches taken on site.

I start a series of several paintings, then give them a chance. each as much time as they require.

The vines, the landscapes and  the cabins: I render on the canvas a precise moment.

The salt pans are the memory of lights, of sensations of fullness.

The figuration of my painting attempts to render
the abstraction of an emotion.