Du côté de la Marne I.

" We only see clearly with the heart, the essential is invisible to the eyes." (Antoine de Saint-Exupéry). I think the same thing, especially about this. about painting. Initially self-taught, I started studying with portraits adolescence. Life was my Academy of Arts. Subsequently, I attended several workshops available Prague and beyond Paris. I love the Impressionists and am touched by the work and lives of Leonardo da Vinci and Gustav Courbet. Nature is my main and inexhaustible inspiration; I also like to sketch the bodies of living or imagined models, as well as the bodywork of an old car. In my paintings, I express what I do not know how to say with the words.-----------------"

One sees clearly only with the heart, the essential is invisible to the eyes." (Antoine de Saint-Exupéry). I think the same thing, especially about painting. Initially self-taught, I started with portraits during teenagedood. Life was my Academy of Arts. Afterwards, I attended several workshops in Prague and Paris. He likes the impressionists and I'm touched by the work and life of Leonardo da Vinci and Gustav Courbet. Nature is my hand and inexhaustible inspiration; I also like to sketch the bodies of living or imagined models, as well as the hood of an old car. In my paintings, I express what I cannot say with words.

-- Nadia Viguier and the mystery Certain works of Nadia Viguier give birth to which allows access not to his most intimate secret but at the most intimate secret. This is what the artist is heading towards without knowing it. There is there; inside (and despite the idea of maternity) something of the order of « Carmelite » since solitude calls for a violent communion. The artist - through sudden abstraction from reality - seeks a form to match. the form through everything that it brings forth even if this may seem strange since nothing in it is of the order of the simple demonstration of evidence. A form of enjoyment of the order of spirituality emerges. pagan. An immense tide or geyser springs from the earth. It has something to do with fire (through the colors) and the telluric. He is no longer content with the kingdom of shadows. The artist goes up currents, sometimes up stairs whose whereabouts we do not know. they lead. How to get to end of this surge or this ascent? In a certain way the creator frees us from the ground. We slip into such images, we become their accomplices « innocent » (or not). Traces and wastelands remain. The moon or a sun takes us back from slumber. The light opens onto the inexpressible, literally speaking. A powerful breath through space. Jean-Paul Gavard-Perret------------- Nadia Viguier and mystery. Some works of Nadia Viguier give birth to allowing access not to her most intimate secret but the most intimate secret. It is to what the artist unkowinglly will. There is (and despite the idea of maternity) something about the "Carmelite" because loneliness calls for violent communion.The Artist - by sudden abstraction of reality - looking for a form to the shape of everything she brings out even thought it may seem strange since nothing in her is of the order of the simple demonstration of evidence. Emerges a form of enjoyment of the order of a pagan spirituality. A huge tide or a geyser springs from the earth. This is duetothefire (for color) and the telluric. This is no longer satisfied the kingdom of shadows.The artist goes currents, sometimes stairs of unknown where they lead. How to overcome this wave or this ascent? Somehow the artist releases us from the ground. We slip into such images, we become accomplished "innocent" (or not).Remain traces, wastelands. The moon or the sun takes us away from the slumber. Light opens the literary sense inexpressible. A powerful blast through space.                                Jean-Paul Gavard-Perret