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THE OFFICIAL DIRECTORY OF CONTEMPORARY ARTISTS
Current locale language
Balazs BUDA
EMERGING ARTIST
Paris 13
Type
Unique work
Date of creation
2019
Technique

Painting: timeless art…

One of the seven arts, painting is de facto reminiscent of the paintings exhibited in the most prestigious museums, like the Mona Lisa by Leonardo da Vinci. However, it is a timeless form of art which has remarkably managed to span the ages, from before Jesus Christ to Prehistory, Antiquity, the Middle Ages and the Renaissance. If being a painter had nothing rewarding, today its democratization has made small shadow painters into protagonist artists of society. Oil painting, acrylic, watercolor, pastel or mixed media, painting captivates in all its forms.

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Medium

Oil painting

Oil painting is a painting technique well known to artists of the 19th and 20th centuries. However, this technique dates back to the end of the Middle Ages, gradually replacing tempora, which then consisted of an emulsion of egg yolk and egg white as well as colored pigments.

Its consistency was quite close to oil paint although it was later preferred for reasons of practicality.

If oil paint is popular, it is because it is a noble, rich, brilliant and creamy paint, particularly pleasant to work with for the painter.

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Theme
Object, Nature
Dimensions
W. 60 x L. 73 x D. 2 cm
Framing
No
Work signed by the artist
i
On demand
Certificate of authenticity
i
On demand
Description
All paintings can't have the same level of quality. This for the wrong image framing, the wrong size of the chassis or the use of colors that ultimately don't give the desired harmony. This painting, I must say, indicates for me the direction to which I wish to advance. The right size, the harmonious position of the subject, the balance of colors, a thorough reflection of the forms, which in the end give a perfect unity where everything is in its place, creating the illusion of a cohesive atmosphere! These last chrysanthemums with curved petals are firmly seated in the atmosphere of the painting. The contrast of colors is striking which captivates the eye. Nevertheless the burning of the painting doesn't come from these flowers, but from the tablecloth, which blinds the spectator, like a fire of Bengal.
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