Le principe vital est directement lié à son opposé. Éros et Thanatos président à l'évolution, à la révolution. Mon propos est donc d'instaurer cette ambivalence dans la vie d'une peinture, en réalisant par un principe paradoxal la pulsion d'une oeuvre qui se construit tout en se détruisant, jusqu'à ce que l'hyper complexité de son état évolué la rende viable et indépendante.
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